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Anthro-Photographic Studies: Narrating the Past with Imaginations from the Future | 攝影—人類學:歷史敘事與未來想
This short essay originally served as the paper read on the "Re-imagination in Visual Narrative: History, Memory and Archives" symposium...


(Chinese) Fieldwork and Photography: Historic and Contemporary Practices beyond Anthropology | 田野调查与
原文發表於《中國攝影》2018年8月刊。 The essay was originally published in Chinese Photography, Issue 8, 2018. 在我近十年的人類學學習中,田野調查(fieldwork)恐怕是課上講得最多、課余最常...


(Chinese) Anthropological Landscape: a Turn of the Way of Producing Knowledge | 人类学的风景:一种知识生产方式的流变
文章最初发表于《中国摄影报》2016年7月29日009页,后收录于《中国罗平·新风景摄影展:风景地理学》,pp. 172-179。本文有删改。 前言 对“风景摄影”或“风景”本身的讨论,都绕不开一些在定义层面、意义层面和分类层面的问题。比如“什么是风景摄影?”“什么是风景?...


Capitalist Realism through Contemporary Photography: A Critical Anticipation | 當代攝影與資本主義現實主義的批判姿態
Inspired by the Capitalist Realism movement in the 1960s German carried out by Sigmar Polke, Gerhard Richter and Konrad Lueg (Konrad...


(Chinese) Photography as Process: A Review on The Untimely Apparatus of Two Amateur Photographers |
本文所用作品圖片均由三影堂攝影藝術中心提供 原文發表於圖蟲網“讀立”攝影批評:https://indiefoto.tuchong.com/t/13002951/ 林博彥與黃承聰在三影堂展覽現場,王品然攝,2015 用三台改造過後的攝影儀器[1]挑戰既有的攝影觀念,是2016...
A review of Building a History of Experimental Photography of Ruins in Chinese Demolition
Originally published via dissertationreview.org: http://dissertationreviews.org/archives/13559 “A philosopher who has evolved his entire...


(Chinese) The Construction of Space between Text and Image: A Critique on Towards Evening | 文本与图像的空间
『向晚六章』之第二章,陳哲,2012 - 未完成 “色影無忌”2015中國新銳攝影獎頒給了陳哲的『向晚六章』,可謂實至名歸。其他五組候選作品,也非浪得虛名。說到這個獎項,或許再搭上每年的“三影堂”攝影獎,在網絡上的討論總是沸沸揚揚,然而話題也何其單調,無非不過是一群人與另一...
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