#photography

Anthro-Photographic Studies: Narrating the Past with Imaginations from the Future | 攝影—人類學：歷史敘事與未來想

This short essay originally served as the paper read on the "Re-imagination in Visual Narrative: History, Memory and Archives" symposium...

(Chinese) Fieldwork and Photography: Historic and Contemporary Practices beyond Anthropology | 田野调查与

原文發表於《中國攝影》2018年8月刊。 The essay was originally published in Chinese Photography, Issue 8, 2018. 在我近十年的人類學學習中，田野調查（fieldwork）恐怕是課上講得最多、課余最常...

(Chinese) Anthropological Landscape: a Turn of the Way of Producing Knowledge | 人类学的风景：一种知识生产方式的流变

文章最初发表于《中国摄影报》2016年7月29日009页，后收录于《中国罗平·新风景摄影展:风景地理学》，pp. 172-179。本文有删改。前言对“风景摄影”或“风景”本身的讨论，都绕不开一些在定义层面、意义层面和分类层面的问题。比如“什么是风景摄影？”“什么是风景？...

Capitalist Realism through Contemporary Photography: A Critical Anticipation | 當代攝影與資本主義現實主義的批判姿態

Inspired by the Capitalist Realism movement in the 1960s German carried out by Sigmar Polke, Gerhard Richter and Konrad Lueg (Konrad...

(Chinese) Photography as Process: A Review on The Untimely Apparatus of Two Amateur Photographers |

本文所用作品圖片均由三影堂攝影藝術中心提供原文發表於圖蟲網“讀立”攝影批評：https://indiefoto.tuchong.com/t/13002951/ 林博彥與黃承聰在三影堂展覽現場，王品然攝，2015 用三台改造過後的攝影儀器[1]挑戰既有的攝影觀念，是2016...

A review of Building a History of Experimental Photography of Ruins in Chinese Demolition

Originally published via dissertationreview.org: http://dissertationreviews.org/archives/13559 “A philosopher who has evolved his entire...

(Chinese) The Construction of Space between Text and Image: A Critique on Towards Evening | 文本与图像的空间

『向晚六章』之第二章，陳哲，2012 - 未完成 “色影無忌”2015中國新銳攝影獎頒給了陳哲的『向晚六章』，可謂實至名歸。其他五組候選作品，也非浪得虛名。說到這個獎項，或許再搭上每年的“三影堂”攝影獎，在網絡上的討論總是沸沸揚揚，然而話題也何其單調，無非不過是一群人與另一...