(Chinese) Working as An Anthropologist: D and His Art Practices | 像人类学家一样工作:D和他的艺术实践This essay was originally written for ARTCO "Anthropology and Art" special issue, August 2019. Due to some reasons, it only appeared on...
Anthro-Photographic Studies: Narrating the Past with Imaginations from the Future | 攝影—人類學:歷史敘事與未來想This short essay originally served as the paper read on the "Re-imagination in Visual Narrative: History, Memory and Archives" symposium...
(Chinese) Fieldwork and Photography: Historic and Contemporary Practices beyond Anthropology | 田野调查与原文發表於《中國攝影》2018年8月刊。 The essay was originally published in Chinese Photography, Issue 8, 2018. 在我近十年的人類學學習中,田野調查(fieldwork)恐怕是課上講得最多、課余最常...
(Chinese) Anthropological Landscape: a Turn of the Way of Producing Knowledge | 人类学的风景:一种知识生产方式的流变文章最初发表于《中国摄影报》2016年7月29日009页,后收录于《中国罗平·新风景摄影展:风景地理学》,pp. 172-179。本文有删改。 前言 对“风景摄影”或“风景”本身的讨论,都绕不开一些在定义层面、意义层面和分类层面的问题。比如“什么是风景摄影?”“什么是风景?...
(Chinese) Photography as Process: A Review on The Untimely Apparatus of Two Amateur Photographers | 本文所用作品圖片均由三影堂攝影藝術中心提供 原文發表於圖蟲網“讀立”攝影批評:https://indiefoto.tuchong.com/t/13002951/ 林博彥與黃承聰在三影堂展覽現場,王品然攝,2015 用三台改造過後的攝影儀器[1]挑戰既有的攝影觀念,是2016...